The Movie The Godfather - 1537 Words

Francis Ford Coppola directed the gangster crime drama film, The Godfather (1972), inspired by the novel of the same name, written by Author Mario Puzo. The film plays out in the beginning how Don Corleone declined to join the narcotics business with notorious drug lord Sollozzo. With this in mind, one of the greatest gangster films created by a man who decided to lead, and not follows. Moreover, explaining the formalist approach for this film which covers an array of elements that include plot structure, camera techniques, editing, mise en scene, and sound. The following film critique will analyze â€Å"The Godfather,† beginning by utilizing the formalist approach theory, camera technique and sound gradually introducing additional theories†¦show more content†¦However, this gives the audience a feel for The Godfather’s power. The color designs, align with the era, nothing too bright, even tone and dark colors to give vibes of the dangerous mysteries that await with yet another assassination. All things considered Michael, the younger brother slated to become a congressman or maybe president, assassinated drug lord Sollozzo and the corrupt police officer McCluskey. Michael falls into the wild card category portraying him, as innocently trying to fit in, as later he developed into the character of â€Å"The New Godfather.† Absolute power is the goal for the Corleone family, the demeanor and confidence of Don, Michael and Sonny demanded respect of all who approached them for favors. The lighting exposed the own dominant masculinity of Don and Michael Corleone, as they threatened or murdered a rival gang member. Henceforth, they expelled absolute power. The Godfather; Sicilian Don Corleone is the head of the number one crime family using elimination to protect his business of Drugs, Casinos, loan sharking and small businesses. As a result of Sonny’s assassination, one primary focus is to locate the crew that carried out the hit. Certainly, the background and props, at times with the antique look, showcased Don Corleone and Michael to look as if they owned the world. Ultimately, the overhead lighting when Michael retrieved the gun from theShow MoreRelatedThe Godfather the Movie Essay532 Words   |  3 PagesThe Godfather the Movie THE GODFATHER, made in 1974, details the Corleone crime family in Manhattan during the mid 1930s. The Don, Vito Corleone, played by Marlon Brando, leads his organization against a relentless narcotics push by a rival family, the Sollozzos. Vito Caleone does not want anything to do with drugs because he believes they will be the downfall of the Mafia. The story, covering a ten year time period, offers a rich tapestry of Mafia life from the inside, drawing the audienceRead MoreAnalysis Of The Movie The Godfather 1463 Words   |  6 Pageslight or death. Each movie works within its genre and also twists it to tell his own, more dramatic tale. One interpretation of auteur theory applies to his continuous changing of stereotypical genres. â€Å"Auteur theory is when a director creates a film that breaks the codes and conventions seen regularly in movies of the same genre.† One of Coppola’s traits is the expressive use of light. Which can help understand the tale, cleverly hide reality or do both. Within The Godfather, the light followingRead MoreThe Godfather Movie Review1875 Words   |  8 Pagesgood son to head of the Corleone family takes center stage in The Godfather, but as the title character and head of the family, Don Vito Corleone is arguably the most important character in the film. The success or failure of the film depended on who played the Godfather and therefore it was the first role cast. Francis Ford Coppola and his producers were looking for someone special. Despite wanting to cast unknowns for the movie, they felt it necessary to make an exception here. â€Å"The part calledRead More Cinematography in Godfather the Movie Essay638 Words   |  3 PagesMario Puzo’s The Godfather was the first and most influential gangster movie that paved the way for gangster movies of the future. The movie was directed by Frances Ford Copolla, who made many different ingenious ways to portray this gangster classic. The movie was a very subversive movie, and one of the first of all time.The Godfather has a many different uses of light settings through the whole movie, in which the movie can be interpreted on. 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A movie can be critiqued in a variety of ways, but one of the main criticisms is how the visuals explain the story, and bring it to life. The story of a movie, and how it flows, is the pivotal component that draws viewers in and keeps their interest. With moviesRead MoreMovie Analysis : Film Analysis Of The Godfather971 Words   |  4 Pages The Godfather I and two sequels are of course a very well written and famous film series. But that is not why I chose it. I chose it because even though it is rated a very well written film, I truly did analyze this film as if I were rating it, so for the above link for my specific sequence, I used the techniques I learned throughout this semester to analyze it. In the past when I have watched the first Godfather with friends, they got bored easily and thought it was slow and not entertaining. ButRead More Realism and Idealism for the Godfather Essay1173 Words   |  5 Pages Realism and Idealism for the Godfather I will never forget what I felt when I first seen my first mobster movie, I was about 12 years old, it was real late at night and I just could not fall asleep. I was flipping the channels looking for something to watch, and that is when I encountered my first mobster movie. I was intrigued from beginning to end; it was like nothing I had ever seen before. The way they talked so confident and cool to the way they looked so sharp and sophisticated. AlthoughRead More The Godfather: An American Dream Story Essay1033 Words   |  5 PagesThe Godfather: An American Dream Story The Godfather is the â€Å"dark-side of the American dream story† (Turan, pp2). The film follows the practices of a fictional Italian mafia family, the Corleone’s. 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